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What is Mama Fish?

        Mama Fish represents an effort to bring new music and multi-disciplinary works into new venues and to new audiences.  Based in Los Angeles, Mama Fish produces performance events that are each designed to take advantage of their specific venue and audience.  The organization’s programming promotes new and/or relatively unknown works, often including premiere performances as well as pieces commissioned specifically by Mama Fish.  

        The idea of collaboration is at the core of Mama Fish—collaboration between performers and composers, collaboration between composers and poets/artists/videographers/choreographers, and collaboration between the performers & the creators and the audience.  

        Mama Fish is new music's new home.

Who is Mama Fish?

Core Personnel:
Sarah Gibson, composer and piano
Eric Jacobs, clarinet
Michael Kaufman, cello
Clara Kim, violin and co-director
Thomas Kotcheff, composer and piano
A.J. McCaffrey, composer
Jordan Nelson, composer and co-director

Additional composers and performers:
Jack Cimo, classical guitar
Mario Diaz-Moresco, voice
Maggie Hasspacher, double bass and voice
Laura Kramer, composer
Michael Matsuno, flute
Diana Newman, voice
Cameron O'Connor, classical guitar

Mama Fish and Beer, August 29, 2014

Mama Fish's end-of-the-summer, House-Party-New-Music-Concert-With-Beer-Pairings; Friday, August 29th; Pasadena, CA

Program, in three sets -

Teaser (2010)
Performed by Michael Kaufman
Music by Sean Friar

- paired with -
Saint Archer Brewery, White Ale
the vast unbuilt abscesses of our [void] energy field (2012) - west coast premiere
Performed by Cameron O'Connor and Wenjun Qi
Music by Dan Schlosberg
- paired with -
Uinta Brewery, Baba Black Lager
String Quartet (2008)
Performed by Argus Quartet
Music by John Adams

- paired with - 
Ska Brewery, Modus Hoperandi
 

Mama Fish & The Sun, May 4, 2012

Mama Fish & the Sun, in collaboration with Yeaheavy
May 4, 2012
Yeaheavy Studio
665 N. Berendo St., Los Angeles, CA

Program, in three sets

The Miracle of the Walking Fish (2010-11) 
performed by Mario Diaz-Moresco, voice, and Jack Cimo, classical guitar
Test by Jackson Bliss
Music by Laura M. Kramer

Family Recipe for Biscuits (2012) - world premiere
performed by Maggie Hasspacher, voice and double bass
Text by Aaron Fullerton
Music by Sarah Gibson

Flying Too Close to the Sun, a set of music for classical guitar
curated and performed by Jack Cimo, classical guitar
with Angie Eberhart, voice

About the music:
The Miracle of the Walking Fish
The Miracle of the Walking Fish is a story about the transformation of Love, centering on a boy who leaves Todos Santos, a town in Baja California full of artisans, artists, even expats from North America, to find his father in California.  But instead of finding his dad, the boy meets a Peruvian girl in Los Feliz, and falls in love with her.  Together they take a bus to Santa Monica, connect to each of their homelands on the breach, and then they throw the boy's twin stones back in to the Pacific Ocean.  This is the beginning of their new life together as two Americans living in a city of new beginnings.

Family Recipe for Biscuits
"When I met with Sarah and Maggie last year about collaborating on a piece, we discussed themes and ideas that resonated with us personally.  Two themes kept popping up: Family and food.  The resulting text, 'Family Recipe for Biscuits', is a poem that is divided into four sections, each conveying a distinct point of view and experience.  The first, '1942', tells the story of the recipe's creation, born from the distractions of a worried, expectant mother.  The narrator in '1963' is the grown daughter of the women in '1942'; she's using her mother's recipe to impress a suitor and display her domestic prowess.  In '1971', that suitor is now a husband and father, left to cook for the children one night when the wife is away.  The recipe requires more from him than he expected, but so do his children.  The fourth section, '2010', offers the narrator an opportunity for independence, especially in a busy world full of pre-fabricated goods.  Each narrator links the recipe to a personal fear or failure, but the recipe itself--and the resulting biscuits--are a source of comfort and pride.  Who wouldn't want a set of instructions in a world that often feels uncontrollable?"  - Aaron  Fullerton

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Photos from Mama Fish & the Sun
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Left: Jordan Nelson, composer & co-director
Right: Kira Shewfelt, artist & co-director of  Yeaheavy
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Left: Sarah Gibson, composer
Right: Jordan Nelson, composer & co-director
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