S e l e c t e d W o r k s o f a l l t y p e s
Tender Buttons (2016)
for soprano and string quartet
text by Gertrude Stein, from 'Tender Buttons' with artwork by Morgan Thomas Shankweiler |
Songbook for piano (2018- )
for solo piano
an ongoing collaboration with Thomas Kotcheff Re/Sounding: An American Songbook for Piano released in 2024 |
Join (2021)
for string quartet
commissioned by Viano Quartet |
I Dreamt I Was Underwater (2022)
for classical guitar and electronic sounds
commissioned by Jack Cimo |
Color Perception E.P. (2023)
a set of ambient electronic tracks
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Two Mythological Birds (2012)
for solo violin
written for Clara Kim video by Four/Ten Media |
Preludes (2014)
for solo classical guitar
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Three Sea Shanties (2020)
for soprano and classical guitar
commissioned by Duo Apollon |
A Quick Guide To The Sky (2020)
an album of ambient electronic music
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Bear (2020)
for piano four-hands
commissioned by HOCKET |
Night Runs Deep (2011)
for cello and men's choir
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Music For A Space Tourist (2021)
an album of ambient electronic music
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Even in the barn's shade (2011)
for eight-part mixed choir
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Yet To Say (2014)
for orchestra
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Neon Marley (2017)
from "Play With The Silver Moon"
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Sparks From The Wheel (2019)
for mezzo-soprano, horn, and piano
text by Whitman, Hardy, Thoreau, & Stein commissioned by Victoria Fox and Jason Allison |
Source (2014)
for violin, four solo singers, and mixed chamber ensemble
written for Clara Kim |
Ember I Miss You (2017)
for four violins and spoken word
commissioned by MoVE |
Tonewood (2008)
for orchestra
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Four Interludes (2014)
for solo piano
based on Charles Ives "The Alcotts", from Piano Sonata No. 2 commissioned by Thomas Kotcheff |
Sich Überschwenken (2007)
for eight-part mixed choir
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Vox Submersi (2017)
for violin, cello, and electronic sounds
based on George Crumb's 'Vox Balaenae' commissioned by Lina Bahn and Matt Haimovitz |
Postcards from Los Angeles (2010)
an album of electro-acoustic music
for a multi-media collaboration with artist Kira Shewfelt |
for violin and live computer processing
commissioned by Clara Kim |